「夕阳与～」「夜澄的！预备——」 　　「「高中生广播～！」」 　　碰巧就读同一间高中的好姐妹声优搭档——夕暮夕阳与歌种夜澄将教室里的氛围原封不动地呈现给听众的温馨广播节目开播！ 　　「唉～为何得跟你这种阴沉女一起工作。」 　　「你这猴子还真吵呢。我也不愿意呀。」 　　——但是，两位主持人的真面目跟她们偶像声优的形象恰好相反，是最合不来的辣妹×阴沉低调妹……？ 　　台前好姐妹，幕后吵翻天，录制一结束便互相破口大骂！绝对不可能跟这种家伙搭档，然而广播节目不等人……！拿出职业声优的骨气骗过全世界吧！

「夕阳和~」「安美的！」 「「高中生广播~！」」 「本节目是由碰巧就读于同一所高中、同一个班级的我们，为大家带来教室氛围的节目！」 无论是作为声优还是作为同班同学都关系极好的二人，放松地做声优广播……但这仅仅是「台前」的模样。 夕阳的本性是阴沉的土妹子，而安美则是地道的辣妹。 容貌和性格都正好相反的二人，一开口就要吵架。 「……怎么这么晃眼。你这样跟平时形象的差别真的大到吓人，平时的阴沉都到哪去了？」 「你才是，别用这副模样发出可爱的声音啊」 录音结束后便就地变成修罗场，挖苦和谩骂势如风暴！ 和这种人一起做广播，我绝对办不到！ 但是，节目可不会等人……！ 前途坎坷的声优广播，会持续多久……？！ 靠职业精神欺骗全世界！暴露就要结束的青春声优节目，现已播出!

一个年轻的，梦想成为芭蕾舞演员的乡下女孩的故事。通过艰难而富有挑战性的历程，她实现了目标。凭借才华、熟练、耐心和决心，她成功的达到了芭蕾的顶峰，成为了莫斯科大剧院的首席芭蕾舞演员。

电影根据虹影《上海之死》及横光利一《上海》改编。

1941年秋冬，著名演员于堇 （巩俐饰）为了出演她的旧爱谭呐 （赵又廷饰）执导的话剧《礼拜六小说》而回到上海，却引起各方势力对她动向的密切关注，想要打探出她此行的真正目的。一个女人的命运被时代紧紧牵引，戏里戏外敌我难分，暗流涌动下她迎来了一个改变世界的抉择 。

两集纪录片 《国家大剧院》由央视纪录频道与国家大剧 院联合摄制，于2012年国家大剧院开 业5周年之际，以国家大剧院精心编创 的各类演出为主线，展现出这个目前 世界上规模最大、设备最先进的剧 院，如何创造与书写着自己短暂却辉 煌的发展历程。 分集简介 上集 在距离2012年12月22日，国家大 剧院5周年院庆还有120天的时候，我 们将镜头对准了这座美丽的建筑和下 面忙碌的人们。 来自意大利的顶级歌剧导演强卡 洛，想尽一切办法之后，能否让中国 的观众接受瓦格纳经典却又晦涩的德 语歌剧——《罗恩格林》；话剧导演 任鸣，要用最传统的悲剧《风雪夜归 人》震撼观众；舞美加工工厂，正在 挑战国家大剧院有史以来最为复杂的 舞美装置；白先勇带着《玉簪记》再 度袭来，最豪华的团队，最顶级的琴 师，最昂贵的演出，不知反响如何； 一帮年轻的工作人员，将歌剧带到高 中校园，希望孩子们能够爱上这门艺 术，他们的任务能否完成？住在北京 四合院的普通青年，与合唱团的兄弟 姐妹们，经过三年积淀，梦想与现 实，他们将如何选择？ 最终，所有的冲突、妥协、紧 张、期待之后，大幕拉开，好戏上 场。 下集 2007年底，在各种争议声中历经9 年之后，世界上规模最大的中国国家 大剧院终于建成开业。当时没有人能 意料到，仅仅5年之后，它就在全球艺 术圈获得世界顶级剧院的地位。 从地下穿过迷幻的水廊，在最简 洁的半椭球外形的覆盖之下，呈现在 面前的是现代派的公共空间，在这里 还有迷宫一样的地下结构，目前世界 上最大型最复杂的歌剧舞台，被誉为 全球音响效果最佳的音乐厅……这里 是令人仰望的艺术圣殿。 今天，全球最顶尖艺术家在这里 进出，歌剧、音乐、舞蹈戏剧等经典 艺术在这里永不停息地生成和演绎， 而这才是大剧院的生命力所在。

暂无剧情简介

暂无剧情简介

Consists of segments: (1) "The Classical Ideal". The origins of Western art are traced to ancient Greece through Kouroi and Korai figures, as well as by the architectures of the Pantheon. From Greece to Rome through the Hellenistic period, the program focuses on the new artistic approach to human form and violent emotions that reached its pinnacle with the altar of Zeus at Pergamun. (2) "A White Garment of Churches". Examines Romanesque and Gothic churches as evidence of the values of the societies that created them. Shows the effect of monasticism and pilgrimage on Romanesque church architecture. Uses Gislebertus's sculpture at St. Lazare in Autun to show the medieval focus on Heaven and the afterlife. The Gothic architecture, sculpture and stained glass at St. Denis and Chartres are discussed as evidence of a new theology and profound social changes during the twelfth and early thirteenth centuries. (3) "The Early Renaissance in Italy and the North". (4) "The High Renaissance". Covers key aspects of the High Remaissance, including the advent of the artist as genius (Leonardo, Michelangelo, and Raphael), the rise of Rome as a center of artistic vitality, and Venetian preoccupation with the quality of light (Giorgione and Titian). Also examines the social turbulence of the late sixteenth century and the reinterpretation of classical architectural principles. (5) "Realms of Light". Examines the divergent themes of the baroque period, including a new emotional appeal as seen in Bernini's 'The Ecstasy of St. Teresa,' Caravaggio's naturalism, Velasquez's multilayered works, and the rise of bourgeois values as seen in Rembrandt's works. (6) "An Age of Reason, an Age of Passion". Covers the move from the rococo period to neoclassicism and romanticism. Relates stylistic changes to the French Revolution and the Napoleonic wars. Covers the work of David, Géricault, Turner, Delacroix, and Goya. (7) "Realists, Impressionists, Post-Impressionists". Contrasts Courbet's treatment of subjects from everyday life with the innovations and techniques used by the impressionists. Examines the impressionists characteristic concern with color and changing light and contrasts this with the very individualistic visions of the postimpressionists. (8) "Into the Twentieth Century". Covers the work of the Fauves, the Cubists, the international style, and the Surrealists. Discusses how these movements relate to modern life. (9) "In Our Own Time." Examines why the appearance of abstract expression caused the United States to become a center for the visual arts. Reviews the diversity of styles in the postwar period, including the work of Pollock, Warhol, Oldenburg. Also examines the explosive internationalization of the art world in the 1970s and 1980s. Written by Fiona Kelleghan {[email protected]

Consists of segments: (1) "The Classical Ideal". The origins of Western art are traced to ancient Greece through Kouroi and Korai figures, as well as by the architectures of the Pantheon. From Greece to Rome through the Hellenistic period, the program focuses on the new artistic approach to human form and violent emotions that reached its pinnacle with the altar of Zeus at Pergamun. (2) "A White Garment of Churches". Examines Romanesque and Gothic churches as evidence of the values of the societies that created them. Shows the effect of monasticism and pilgrimage on Romanesque church architecture. Uses Gislebertus's sculpture at St. Lazare in Autun to show the medieval focus on Heaven and the afterlife. The Gothic architecture, sculpture and stained glass at St. Denis and Chartres are discussed as evidence of a new theology and profound social changes during the twelfth and early thirteenth centuries. (3) "The Early Renaissance in Italy and the North". (4) "The High Renaissance". Covers key aspects of the High Remaissance, including the advent of the artist as genius (Leonardo, Michelangelo, and Raphael), the rise of Rome as a center of artistic vitality, and Venetian preoccupation with the quality of light (Giorgione and Titian). Also examines the social turbulence of the late sixteenth century and the reinterpretation of classical architectural principles. (5) "Realms of Light". Examines the divergent themes of the baroque period, including a new emotional appeal as seen in Bernini's 'The Ecstasy of St. Teresa,' Caravaggio's naturalism, Velasquez's multilayered works, and the rise of bourgeois values as seen in Rembrandt's works. (6) "An Age of Reason, an Age of Passion". Covers the move from the rococo period to neoclassicism and romanticism. Relates stylistic changes to the French Revolution and the Napoleonic wars. Covers the work of David, Géricault, Turner, Delacroix, and Goya. (7) "Realists, Impressionists, Post-Impressionists". Contrasts Courbet's treatment of subjects from everyday life with the innovations and techniques used by the impressionists. Examines the impressionists characteristic concern with color and changing light and contrasts this with the very individualistic visions of the postimpressionists. (8) "Into the Twentieth Century". Covers the work of the Fauves, the Cubists, the international style, and the Surrealists. Discusses how these movements relate to modern life. (9) "In Our Own Time." Examines why the appearance of abstract expression caused the United States to become a center for the visual arts. Reviews the diversity of styles in the postwar period, including the work of Pollock, Warhol, Oldenburg. Also examines the explosive internationalization of the art world in the 1970s and 1980s. Written by Fiona Kelleghan {[email protected]